What Publishers Could Learn from ESPN

Published on December 1, 2010 by in Tech Trends

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ESPN Mike Reiss
The Who 1308720059 by Heinrich Klaffs 300x191 What Publishers Could Learn from ESPN

The Who 1308720059 by Heinrich Klaffs on Flickr

In an article titled, “Meet the new boss” on Magellan Media’s blog, Brian O’Leary expresses skepticism about the characterization of a “new crop of chiefs” profiled by the New York Times as really being very new. O’Leary says:

First, these guys – all middle-aged white men – reflect experience in the old order, not necessarily an embrace of a new one. They aren’t part of a “born-digital” generation; they are on the other side of that divide.

This article caught my eye because I wrote a blog article earlier this year about this same group of companies called “Print Publishing’s Public Pity Party.”

The publishing industry has embarked on a quixotic journey.  A recent  Adweek article announces that “Close to 100 titles are planning to sacrifice prominent placements in their issues for an industry campaign.”  Their tilted windmill is a sense that we have all simply forgotten how wonderful their product is, and that by running ads they can remind us.  I can’t help but picture a group of buggy whip salesmen on the side of the road laughing at a car with a flat tire, secure in the knowledge that a horse would never succumb to such embarrassment.

I commented on O’Leary’s post, agreeing with him that it seemed that this new group would simply be tinkering with a model that needs to be blown up. Or as he quotes, “Meet the new boss, same as the old boss.” And then it occurred to me to offer these titans of publishing some unsolicited advice: they could learn a lot from ESPN.

Inbound marketing is fueled by compelling content. The magazine publishing industry doesn’t have a content quality problem; they have a content packaging, promotion and delivery problem. As it turns out, there are two things that ESPN does exceedingly well in this regard, and I think any organization following a content marketing strategy can learn from them as well.

Repurposing

ESPN Boston Content 300x276 What Publishers Could Learn from ESPNI’m a fairly avid sports fan and have been consuming sporting news in all its various forms for a long time. I’ve watched television programs, read newspapers, subscribed to magazines, listened to sports radio, and read blogs. ESPN has invaded all of those media channels and more with Napoleonic fervor. One thing I’ve noticed in particular is how effectively they’ve modularized their content and then squeeze every last drop of value out of it.

Take a simple 20 second sound bite from a post-game interview, for example. You’ll see this snippet embedded in a Sports Center broadcast, embedded in multiple ESPN.com articles, played throughout the day on ESPN Radio broadcasts, incorporated into relevant Podcasts, embedded in blog opinion pieces, uploaded to YouTube, posted on the Sports Nation fan page, Tweeted by one of their anchors, etc… And even that list doesn’t really do justice to the number of different places from which that singular chunk of content will be consumed.

Instead of embracing reuse and extracting the maximum value from their content, what are newspaper and magazine publishers doing? Erecting pay walls on the web and creating tablet applications (that are pretty terrible, by the way). But efficiently re-purposing content by itself isn’t enough…

Demand Publishing

Richard Nash is an independent publishing entrepreneur, having previously run the iconic indie Soft Skull Press for which work he was awarded the Association of American Publishers’ Miriam Bass Award for Creativity in Independent Publishing in 2005. I watched a 35 minute video of Nash at BookNet Canada’s Technology Forum 2010 in a session entitled “Publishing 3.0: Moving from Gatekeeping to Partnerships.” It connected a whole bunch of dots for me and blew my mind (the video is embedded at the end of this post).

In this presentation, Nash describes how the publishing industry must evolve from a supply model to a demand model. Under an economic model of scarcity, companies manage supply. From the invention of movable type until the proliferation of Web 2.0, information was – relatively speaking – scarce. Publishers would, in the words of Clay Shirky, “filter, then publish.” In other words, they would decide what books deserved to be published and then deliver them to the market. In an economic landscape where information is abundant, Nash argues that publishers must manage demand instead.

ESPN Mike Reiss 300x179 What Publishers Could Learn from ESPN

Mike Reiss began as a New England Patriots beat writer for the Boston Globe and is now ubiquitous across ESPN's many media channels.

How do you manage demand? You need to provide products and services along the entire demand curve; abundant but inexpensive (or free) as well as scarce but expensive experiences. ESPN does this by turning their content creators (formerly known as journalists) into experiences. Instead of writing one or two weekly columns, their correspondents deliver a constant stream of bit-sized content from short videos to blog posts and Tweets. This forms a sort of experiential pyramid, where we can consume lower value products (i.e. facts) at a greater volume and higher value products (i.e. video and opinion) at a lower volume.

Instead of embracing demand publishing, newspaper and magazine publishers are implementing draconian social media policies that attempt to keep their journalists as faceless as possible.

Here is Richard Nash’s 35 minute presentation. If you’re interested in the future of publishing, this is well worth the time.

Inbound Marketing Takewaways

Many organizations and individuals could do a better job at re-purposing and leveraging their content. Recall my social media strategy advice: Be authentic, relentless and everywhere. You can achieve better results by promoting your content relentlessly and everywhere, and by having your content creators engage with the audience in order to create enhanced, value-added experiences.

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High Five for Week Ending 7-Mar

Published on March 7, 2010 by in High Five

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High Five for Week Ending 7-Mar
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Weekly High Five lists the most interesting, compelling, and/or useful links of each week.

This week’s High Five is about protecting and promoting content.

#5: DMCA Muscle Kills DVD Copying, for Real

I’ve been covering several different lawsuits in which the RIAA (Recording Industry Association of America) is prosecuting a scorched earth assault against its own customers guilty of piracy.  While those arguments are about the punishment fitting the crime, this story is much more disturbing because it deals a serious body blow to the “fair use” aspect of copyright protection.  This is the principal that makes it legal to make a copy of a CD (music, program, or otherwise) for your own personal backup purposes.  However, in this case a judge has ruled that the crime exists in the breaking or bypassing of any encryption.

Link: Wired

#4: Bogus Copyright Claim Silences Yet Another Larry Lessig YouTube Presentation

This story is a preview of things to come.  In previous “High Five” posts, I’ve linked to articles about legislation that could threaten net neutrality by compelling Internet Service Providers to police their user base for copyright violations.  If forced to do so, it will lead to several undesirable side effects.  First, and most obvious, it will increase prices as these service providers will have to invest in additional resources to police their own customers (not to mention insurance policies for increased risk).  Second, it will lead to far more restrictive policies as their terms of use will no doubt give them final say in what is or is not acceptable – legal standards will not be applicable because they will be more concerned with avoiding litigation than their own users’ rights.  Finally, this story is obviously an example of an automated software application that is simply looking for digital footprints and stomping them out with extreme prejudice and no room for fair use.

Link: TechDirt

#3: Apple Stacks The Deck Against Amazon’s Kindle App

It’s no great secret that the true source of success for many devices is the “killer app.”  The most famous example is VisiCalc for the Apple II.  The real secret to Apple’s domination of the personal MP3 player market was the iTunes store.  This article discusses the potential impact of the iPad’s e-reader application being directly linked to the iStore, and how a couple of mouse clips could be a serious impediment to Amazon’s Kindle Reader application.

Link: Business Insider

#2: How The Newspaper Business Killed Itself

John Dvorak is no shrinking violet, and has been making bold assertions and predictions for many years.  In this article, he makes the case that the New York Times’ decision to begin charging for online access is another example of the industry shooting itself in the foot.  Like most brash pundits’ predictions, the vast majority of his predictions prove not to be true and I actually disagree with his opinion on this latest move by the times.  So why am I including it?  Because in describing the newspaper business’ past sins, he uses the simplest and single best metaphor I’ve read on the subject.  After describing how publishers reacted to declining revenues as a result of underestimating the effects of online classifieds by laying off beat writers, he concludes that “It was like attempting to fix a flat by letting the air out of the rest of the tires.”  Perfect.

Link: PC Magazine

#1: What The Heck Is Inbound Marketing (and how you can maximize it) With Brian Halligan

Inbound Marketing” is the single most important concept that will determine the degree to which businesses, associations and individuals will be able to spread their ideas and gain visibility.  In this interview, David Garland speaks with Hubspot CEO Brian Halligan, who literally wrote the book on Inbound Marketing.  If you take the time to watch this video (and I hope you do), I encourage you to think about the concept of inbound marketing for your own personal online identity as well as that of your organization’s.

Link: The Rise to the Top

Feel free to provide your thoughts and/or contributions…

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High Five for Week Ending 7-Feb

Published on February 7, 2010 by in High Five

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High Five for Week Ending 7-Feb
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Weekly High Five lists the most interesting, compelling, and/or useful links of each week.

This week’s High Five is about crowd power; for better or worse.

#5: Microsoft’s Creative Destruction

Categorizing this article as “crowd power” is a little bit of a stretch, but it had to be included in the High Five nonetheless.  In the wake of the iPad product announcement, this fascinating article describes in great detail how the mob-like corporate culture of Microsoft didn’t simple stifle innovation; it barbarically tore it limb from limb and left the pieces scattered across lobbies and conference rooms as a warning to the next group of would-be world changers.

Link: New York Times (Op-Ed)

#4: NFL.com aggregates Super Bowl tweets and pics

The National Football League has jumped into the social media gauntlet with both feet for Superbowl XLIV.  They’ve announced an “official” (doesn’t everything need to be the official “x” of event “y”?) Twitter hash tag (#SB44) and Flickr photo stream, both of which will be aggregated to a dedicated page on their site.

Link: Pro Football Talk on NBC Sports

#3: We’re turning comments off for a bit

This unfortunate announcement was made on the Engadget web site early this week because the environment “has become mean, ugly, pointless, and frankly threatening in some situations… and that’s just not acceptable.”  The situation illustrates one of the darker sides of social media and the tough decisions that must sometimes be made.  It’s a manageable task to moderate these forums unless and until they become a victim of their own success and simply grow too large.  I see this as the new job role for public relations professionals in the future – once they finally come to the realization that their current role of shaping messages is gone forever.

Link: Engadget

#2: Facebook COO: 175 Million People Log Into Facebook Every Day

While the total number of registered Facebook users (over 350 million) gets lots of press, this number is eye-popping for a couple of reasons.  First of all, the sheer size is obviously impressive.  That’s a lot of eyeballs.  Second, the adoption rate of 50% is astounding.  We heard just a few weeks ago that 70% of Twitter users are active more than once a week and 30% never post a single update.  This number is evidence that Facebook is not just growing at a break neck pace, it is retaining users and providing compelling reasons for them to log in every day.

Link: TechCrunch

#1: 20+ mind-blowing social media statistics revisited

Well, I’d certainly say “impressive” but can’t say that my mind was blown.  Notwithstanding the sensationalized and overstated title, this is a valuable page to bookmark for your next blog post or sales pitch for social media.

Link: Econsultancy

Feel free to provide your thoughts and/or contributions…

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A Most Intimidating Book Review

Published on January 28, 2010 by in Books, Reviews

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A Most Intimidating Book Review

9780061689147 A Most Intimidating Book ReviewIt was just after Christmas and I had some gift cards and a book to return to Barnes & Noble.  In the hustle and bustle I left the house without the “wish list” I had printed out, which contained my reading list.  Since I would rather spend my time treasure hunting on book shelves than slaloming through post-holiday traffic, I decided to troll. One of the books on my list was to pick up a styles manual, as humdrum as that is. Luckily, however, I saw “The Elements of Story: Field Notes on Nonfiction Writing” by Francis Flaherty and decided to go ahead and purchase it. The good news is that reading this book was a transformative experience. The bad news is that I am now burdened with reviewing a book penned by a New York Times editor.

The Skinny

Why It Rocks:
Flaherty groups fifty rules into seven parts, presenting them with vivid examples and none of the pretentiousness you might expect from a New York Times Editor.

Why It  Doesn’t:
At the risk of sounding spineless, the only complaint I have about the book is that there were not a hundred rules.

Who Will Dig It:
Bloggers, of course, but also anyone who needs to write articles, posts, reports, proposals, and any other non-fiction prose.

The Essence

Previously, I had read a few books about visual design.  A consistent theme of design is simplicity, which is captured in Antoine de Saint-Exupery’s famous quote: “A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away.” I immediately recalled this quote after Flaherty closed out Chapter 5 by saying, “To write is to choose, which is to exclude.” That’s when the sea parted for me; writing is design using words. The same rules of simplicity, contrast, color, motion, proximity, etc. apply to writing as well.  With this in mind, I began to think of writing in a whole new context.

Flaherty groups his fifty rules into seven groups:

  1. A Human Face
    “Every story, even the driest, has a human face. Draw it well and put it on display, for to readers it is a mirror and a magnet.”
  2. The Theme
    “The writer must be loyal to his major theme. He must study all its facets, and he must tamp down other topics that threaten to displace or diminish it.”
  3. Motion
    “Good stories are a brisk journey, and the reader can always feel the breeze in his hair.”
  4. Artfulness
    “The artful writer sees what others see. He just sees it in a drawn-fresh way.”
  5. Truth and Fairness
    “Writing is an art, and art bestows a license. But the license is a limited one, and it never sanctions material omission or unfair play.”
  6. Leads and Other Article Parts
    “Leads and settings, transitions and kickers: Each part of an article demands its own peculiar art.”
  7. The Big Type
    “Titles and subtitles are turbocharged text. They are your work distilled.”

I would not argue strenuously if you said it’s a bit lazy of me to reproduce the Table of Contents here. However, part of the charm and lure of this book is Flaherty’s masterful use of words and particularly the economy with which he employs them. Therefore, I felt it would be most effective for his work to speak for itself at least a little.

The Verdict

I found “The Elements of Story” to be as enjoyable as it was informative. Flaherty’s writing style is easy on the brain and ripe with understated – almost British? – humor. I consider it required reading for bloggers and strongly encourage anyone interested in improving their writing craft to give it a read.

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High Five for Week Ending 24-Jan

Published on January 24, 2010 by in High Five

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High Five for Week Ending 24-Jan
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Weekly High Five lists the most interesting, compelling, and/or useful links of each week.

The theme for this week’s High Five is, “Content Wars.”  Wrangling continues over copyright protection, and content creators continue to struggle with delivery channels and monetization.

#5: Apple Courts Publishers, While Kindle Adds Apps

The e-reader market is heating up nicely.  Apple’s expected announcement of a new tablet computer is igniting a battle “for the hearts and minds of book publishers, authors, and readers.”

Link: New York Times

#4: $675,000 RIAA File Sharing Verdict Is ‘Unreasonable’

A defendant has asked the U.S. Disctrict Court in Massachusetts to either retry the case or reduce the fine of $22,500 per song.  This comes on the heels of a $1.92 million judgement last year against a woman who downloaded 24 songs.  These shocking verdicts are raising the volume of calls for Congress to change the laws, but a Justice Department dominated by RIAA lawyers and lobbyists it seems that the entertainment industry’s stormtroopers will continue to patrol the Internet for the foreseeable future.

Link: Wired

#3: Open Letter From OK Go, regarding non-embeddable YouTube videos

OK Go is a rock band that just wants to make music and share it with their fans.  In a thoughtful post on their web site, they explain the intricacies of publishing music videos in the current Internet climate.  Shockingly, they declare that “crazy as it may seem, it’s now far harder for bands to make videos accessible online than it was four years ago.”  Like the aging Hippie reluctantly pulling the lever for a Republican, YouTube is finding itself answering to new constituents in its quest for monetization.  The soundtrack to this drama would surely include Roger Daltry’s voice; “I hope I die before I get old.”

Link: OK Go’s User Forum

#2: YouTube Will Start Charging for Some Videos

On the heels of the OK Go story, we learn that YouTube will begin experimenting with paid content.  They plan to charge users around $5 to view independent films from the 2009 and 2010 Sundance Film Festivals.

Link: ReadWriteWeb

#1: New York Times Ready to Charge Online Readers

In the latest chess game between newspapers, readers, and search engines, the New York Times announced this week that it is planning to charge readers.  Their approach will differ from the Wall Street Journal, which charges based on premium content.  Instead, the Times plans to charge by volume, which will ostensibly allow the casual visitor to find an article on Google, for example, and have full access to read the article.  It’s a novel idea and not without some technical hurdles to be overcome.  It seems to me that it strikes a fair balance between the free exchange of ideas and making a living.  I will be rooting for it to succeed.

Link: New York Magazine

Feel free to provide your thoughts and/or contributions…

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