High Five for Week Ending 7-Mar

Published on March 7, 2010 by in High Five

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High Five for Week Ending 7-Mar
HighFive 300x275 High Five for Week Ending 7 Mar

Weekly High Five lists the most interesting, compelling, and/or useful links of each week.

This week’s High Five is about protecting and promoting content.

#5: DMCA Muscle Kills DVD Copying, for Real

I’ve been covering several different lawsuits in which the RIAA (Recording Industry Association of America) is prosecuting a scorched earth assault against its own customers guilty of piracy.  While those arguments are about the punishment fitting the crime, this story is much more disturbing because it deals a serious body blow to the “fair use” aspect of copyright protection.  This is the principal that makes it legal to make a copy of a CD (music, program, or otherwise) for your own personal backup purposes.  However, in this case a judge has ruled that the crime exists in the breaking or bypassing of any encryption.

Link: Wired

#4: Bogus Copyright Claim Silences Yet Another Larry Lessig YouTube Presentation

This story is a preview of things to come.  In previous “High Five” posts, I’ve linked to articles about legislation that could threaten net neutrality by compelling Internet Service Providers to police their user base for copyright violations.  If forced to do so, it will lead to several undesirable side effects.  First, and most obvious, it will increase prices as these service providers will have to invest in additional resources to police their own customers (not to mention insurance policies for increased risk).  Second, it will lead to far more restrictive policies as their terms of use will no doubt give them final say in what is or is not acceptable – legal standards will not be applicable because they will be more concerned with avoiding litigation than their own users’ rights.  Finally, this story is obviously an example of an automated software application that is simply looking for digital footprints and stomping them out with extreme prejudice and no room for fair use.

Link: TechDirt

#3: Apple Stacks The Deck Against Amazon’s Kindle App

It’s no great secret that the true source of success for many devices is the “killer app.”  The most famous example is VisiCalc for the Apple II.  The real secret to Apple’s domination of the personal MP3 player market was the iTunes store.  This article discusses the potential impact of the iPad’s e-reader application being directly linked to the iStore, and how a couple of mouse clips could be a serious impediment to Amazon’s Kindle Reader application.

Link: Business Insider

#2: How The Newspaper Business Killed Itself

John Dvorak is no shrinking violet, and has been making bold assertions and predictions for many years.  In this article, he makes the case that the New York Times’ decision to begin charging for online access is another example of the industry shooting itself in the foot.  Like most brash pundits’ predictions, the vast majority of his predictions prove not to be true and I actually disagree with his opinion on this latest move by the times.  So why am I including it?  Because in describing the newspaper business’ past sins, he uses the simplest and single best metaphor I’ve read on the subject.  After describing how publishers reacted to declining revenues as a result of underestimating the effects of online classifieds by laying off beat writers, he concludes that “It was like attempting to fix a flat by letting the air out of the rest of the tires.”  Perfect.

Link: PC Magazine

#1: What The Heck Is Inbound Marketing (and how you can maximize it) With Brian Halligan

Inbound Marketing” is the single most important concept that will determine the degree to which businesses, associations and individuals will be able to spread their ideas and gain visibility.  In this interview, David Garland speaks with Hubspot CEO Brian Halligan, who literally wrote the book on Inbound Marketing.  If you take the time to watch this video (and I hope you do), I encourage you to think about the concept of inbound marketing for your own personal online identity as well as that of your organization’s.

Link: The Rise to the Top

Feel free to provide your thoughts and/or contributions…

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Reading Is Expensive

Published on February 20, 2010 by in Featured Content, Tech Trends

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Reading Is Expensive

iStock 000010028959 267x300 Reading Is ExpensiveThe human brain uses 20% of the body’s energy while accounting for just 2% of its mass – a whopping 900% premium.  It generates 25 watts of power each day and demands 15% of the heart’s output.  The average reader can comprehend 120 words per minute,  taking nearly fourteen hours to read a typical novel (100k words) at a cost of almost 1,000 calories (or 4.2 kJ), 164 gallons of blood (or 622 liters) and nearly $300 in lost wages (theoretically for average U.S. wage earner at $21/hour).

In terms of energy, blood flow, and time, reading is very slow, expensive, and inefficient.

I think this raises some interesting questions, such as:

  • As an author,
    what is the return on brain-investment for reading my article, novel, or blog post?
  • As a publisher,
    how do I convince the reader to invest in my product(s)?
  • As a device manufacturer,
    how can I make the reading experience most brain-efficient and enjoyable?

Reading for Effect Versus Purpose

It seems to me that there are two reasons for reading; effect or purpose.  Reading for effect is essentially fulfilling some internal, emotional need like escapism, voyeurism, arousal, etc…  Put simply, it’s entertainment and entertainment plays by different rules than other products.  We are, generally speaking, much more willing to give up two hours of our lives to have a good cry Reading Is Expensive or watch a bunch of explosions Reading Is Expensive than to read chapter 12 of our favorite physics textbook.  Reading for enjoyment is an activity that not everyone enjoys, but those who do are willing to invest for the pleasure and emotional fulfillment it brings; they are not necessarily calculating an ROI.

Reading for purpose means doing so specifically for achieving some goal or outcome, or put another way, because one needs to and not necessarily because one wants to.  Reading for educational purposes, staying informed, or as part of one’s job are examples of reading for purpose.  This category is far more sensitive to the high cost of reading than the former.  For example, most people who read newspapers will skim the articles looking for interesting stories, and then skim the story to see if it is worth the investment.  One does not skim War and PeaceThe Catcher in the Rye, or The Lord of the Rings.

2641590444 34f371cec2 b 300x199 Reading Is Expensive

Pacific Coast Highway (Creative Commons license via Frank Kehren's Flckr stream)

I would liken these to the difference between a pleasure ride down the Pacific Coast Highway and commuting to work.  You are performing the same task (driving), using the same tool (car), perhaps for the same amount of time, and maybe even with the same person(s).  Yet everything about the drive is different.  In the case of the former, it’s about enjoying the journey, whereas in the latter it is all about reaching your destination as quickly, efficiently, and painlessly as possible.

Implications

There are obvious implications to looking at reading in these two contexts.  Obviously, it behooves the content producers and consumers to understand whether their writing is intended to be a journey or a destination.  Once this is understood, certain strategies and tactics become clear.

For Authors

When writers intend to take their readers on a journey, the style and tempo must be a cognitive banquet.  The experience itself is the return on the reader’s investment.  Efficiency gives way to pace and style takes precedence over not burying the lead.  When writing for purpose, however, the author must understand that from the first word of the title onward, the reader is calculating the return on her investment and may cancel at any time it seems like the deal isn’t profitable enough.  As such, it is important to introduce the value proposition early on (i.e. don’t bury the lead) and get to the point quickly.  Of course, sprinkling in some color so that the reader enjoys the journey won’t hurt a bit either.

For Publishers

431329322 f833a5d9ce b 225x300 Reading Is Expensive

Nothing says "romance" like a black and white printout taped to a light pole (Creative Commons license via sixes & sevens Flickr stream)

Readers interested in going on a journey will evaluate content much like shopping for a vacation.  Cost is always a factor, but so is scenery, adventure, luxury, relaxation, romance, etc…  Therefore, packaging and marketing are going to mean a lot.  It must appeal to the prospective reader on an emotional level and promise to fulfill not only their needs, but desires as well.  Purpose readers, on the other hand, are hunters scrutinizing the landscape for prey.  They will be intent on getting to their destination as quickly and efficiently as possible; a pleasant journey is a fringe benefit and not a primary concern.

Newspapers are perched precariously between both of these paradigms, and so they have a tough job balancing them.  There are news reports, stock quotes, classified advertisements, and other assorted facts and items people want to quickly scan and read if they perceive some return on investment.  Other sections, like essays, travel, or editorials are much more about journey and need to be packaged and delivered differently.

Business to business publications are by and large firmly entrenched in the purpose-reading camp.  Their mission is to deliver industry-relevant information in a non-biased and convenient format.  They face issues of timeliness, relevancy, and ubiquity.  Timeliness is an issue in the age of real time search, self-publication, and social networking.  Answers are frequently a few mouse clicks and moments away, so a weekly or monthly publication is at a disadvantage.  Relevancy is an issue for similar reasons.  Readers are able to find very specific information on obscure subjects relatively easily, while publications are always trying to balance completeness against overload.  Ubiquity is a reference to the fact that publishers can’t always be in the right place at the right time.  Publish your information on your web site, and the reader may not have it available during that lunch meeting with a vendor.  Publish your information in print, and the reader no doubt will have thrown it out before realizing they needed it.  The challenge in B2B publishing is not as much marketing or style as it is timeliness, relevancy, and ubiquity.  They need to have the information the reader wants at the time he wants it, where he wants it.  But just as importantly, it must be in at an acceptable brain-cost.

For Device Manufacturers

I recently wrote that the iPad is heralding the age of content.  There has been much discussion about the impact it will have on print media and other existing content consumption devices.  If you accept the argument that reading for effect is much less sensitive to cost factors and substitute forms, then the likely conclusion is that the iPad (and subsequent tablet products) will have a different effect on different types of content.  If the key to reading for effect is the experience, then I submit that appliances like the iPad and other color readers deliver a superior experience to books.  Content of this type is also inoculated against infection from other forms of media like video.  When reading for purpose, however, it remains to be seen whether the efficiency and usability can be improved when compared to a computer.  But with the (assumed) increased availability of high quality video, which is a more efficient means for acquiring information, reading for purpose is going to be marginalized to some degree.  The key for the device manufacturers is to understand the features that will address each of these types of reading.

The Bottom Line

As Clay Shirky brilliantly observed, we don’t live in a world of information overload but a world with filter failure.  Part of the price of that failure is shorter attention spans and greater sensitivity to the expense of reading.  As more solutions evolve and improve our ability to filter, it would be easy to conclude that it will be more difficult for authors and publishers to get their content “through the walls” and to their audience.  But I rather believe that the filters won’t simply get stronger, they will get better.  This means that it will actually be easier for readers to find the content they are truly interested in and be more willing to pay the brain-price.  However, I think this also spells doom for purveyors of broad swaths of content like newspapers and magazines.  Once these filters get sophisticated enough, readers will be able to find the very best of the content they want with laser precision.  Rather than subscribing to a sports magazine like Sports Illustrated, readers can subscribe to “stories about the New England Patriots, Boston Red Sox, any player named Horatio, or cricket matches played in the southern hemisphere on a Monday.”  Publishers of “reading for purpose” content are going to have to find a way to deal with this paradigm.

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A Most Intimidating Book Review

Published on January 28, 2010 by in Books, Reviews

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A Most Intimidating Book Review

9780061689147 A Most Intimidating Book ReviewIt was just after Christmas and I had some gift cards and a book to return to Barnes & Noble.  In the hustle and bustle I left the house without the “wish list” I had printed out, which contained my reading list.  Since I would rather spend my time treasure hunting on book shelves than slaloming through post-holiday traffic, I decided to troll. One of the books on my list was to pick up a styles manual, as humdrum as that is. Luckily, however, I saw “The Elements of Story: Field Notes on Nonfiction Writing” by Francis Flaherty and decided to go ahead and purchase it. The good news is that reading this book was a transformative experience. The bad news is that I am now burdened with reviewing a book penned by a New York Times editor.

The Skinny

Why It Rocks:
Flaherty groups fifty rules into seven parts, presenting them with vivid examples and none of the pretentiousness you might expect from a New York Times Editor.

Why It  Doesn’t:
At the risk of sounding spineless, the only complaint I have about the book is that there were not a hundred rules.

Who Will Dig It:
Bloggers, of course, but also anyone who needs to write articles, posts, reports, proposals, and any other non-fiction prose.

The Essence

Previously, I had read a few books about visual design.  A consistent theme of design is simplicity, which is captured in Antoine de Saint-Exupery’s famous quote: “A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away.” I immediately recalled this quote after Flaherty closed out Chapter 5 by saying, “To write is to choose, which is to exclude.” That’s when the sea parted for me; writing is design using words. The same rules of simplicity, contrast, color, motion, proximity, etc. apply to writing as well.  With this in mind, I began to think of writing in a whole new context.

Flaherty groups his fifty rules into seven groups:

  1. A Human Face
    “Every story, even the driest, has a human face. Draw it well and put it on display, for to readers it is a mirror and a magnet.”
  2. The Theme
    “The writer must be loyal to his major theme. He must study all its facets, and he must tamp down other topics that threaten to displace or diminish it.”
  3. Motion
    “Good stories are a brisk journey, and the reader can always feel the breeze in his hair.”
  4. Artfulness
    “The artful writer sees what others see. He just sees it in a drawn-fresh way.”
  5. Truth and Fairness
    “Writing is an art, and art bestows a license. But the license is a limited one, and it never sanctions material omission or unfair play.”
  6. Leads and Other Article Parts
    “Leads and settings, transitions and kickers: Each part of an article demands its own peculiar art.”
  7. The Big Type
    “Titles and subtitles are turbocharged text. They are your work distilled.”

I would not argue strenuously if you said it’s a bit lazy of me to reproduce the Table of Contents here. However, part of the charm and lure of this book is Flaherty’s masterful use of words and particularly the economy with which he employs them. Therefore, I felt it would be most effective for his work to speak for itself at least a little.

The Verdict

I found “The Elements of Story” to be as enjoyable as it was informative. Flaherty’s writing style is easy on the brain and ripe with understated – almost British? – humor. I consider it required reading for bloggers and strongly encourage anyone interested in improving their writing craft to give it a read.

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High Five for Week Ending 24-Jan

Published on January 24, 2010 by in High Five

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High Five for Week Ending 24-Jan
HighFive 300x275 High Five for Week Ending 24 Jan

Weekly High Five lists the most interesting, compelling, and/or useful links of each week.

The theme for this week’s High Five is, “Content Wars.”  Wrangling continues over copyright protection, and content creators continue to struggle with delivery channels and monetization.

#5: Apple Courts Publishers, While Kindle Adds Apps

The e-reader market is heating up nicely.  Apple’s expected announcement of a new tablet computer is igniting a battle “for the hearts and minds of book publishers, authors, and readers.”

Link: New York Times

#4: $675,000 RIAA File Sharing Verdict Is ‘Unreasonable’

A defendant has asked the U.S. Disctrict Court in Massachusetts to either retry the case or reduce the fine of $22,500 per song.  This comes on the heels of a $1.92 million judgement last year against a woman who downloaded 24 songs.  These shocking verdicts are raising the volume of calls for Congress to change the laws, but a Justice Department dominated by RIAA lawyers and lobbyists it seems that the entertainment industry’s stormtroopers will continue to patrol the Internet for the foreseeable future.

Link: Wired

#3: Open Letter From OK Go, regarding non-embeddable YouTube videos

OK Go is a rock band that just wants to make music and share it with their fans.  In a thoughtful post on their web site, they explain the intricacies of publishing music videos in the current Internet climate.  Shockingly, they declare that “crazy as it may seem, it’s now far harder for bands to make videos accessible online than it was four years ago.”  Like the aging Hippie reluctantly pulling the lever for a Republican, YouTube is finding itself answering to new constituents in its quest for monetization.  The soundtrack to this drama would surely include Roger Daltry’s voice; “I hope I die before I get old.”

Link: OK Go’s User Forum

#2: YouTube Will Start Charging for Some Videos

On the heels of the OK Go story, we learn that YouTube will begin experimenting with paid content.  They plan to charge users around $5 to view independent films from the 2009 and 2010 Sundance Film Festivals.

Link: ReadWriteWeb

#1: New York Times Ready to Charge Online Readers

In the latest chess game between newspapers, readers, and search engines, the New York Times announced this week that it is planning to charge readers.  Their approach will differ from the Wall Street Journal, which charges based on premium content.  Instead, the Times plans to charge by volume, which will ostensibly allow the casual visitor to find an article on Google, for example, and have full access to read the article.  It’s a novel idea and not without some technical hurdles to be overcome.  It seems to me that it strikes a fair balance between the free exchange of ideas and making a living.  I will be rooting for it to succeed.

Link: New York Magazine

Feel free to provide your thoughts and/or contributions…

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